Date: Saturday, 20th May, 2017
*Booking fees apply to telephone and online bookings
The G-Man presents
a low trees promotion
+ special guest Tim Darcy
Angel Olsen brings the songs of third studio album, MY WOMAN, to Cork with an Opera House date set for Summer 2017. Having made her official solo bow with an intimate The G-Man presents… concert in little sister venue The Half Moon in 2013, this will be Olsen’s third Cork appearance.
Anyone reckless enough to have typecast Angel Olsen according to 2013’s Burn Your Fire For No Witness is in for a sizeable surprise with her third album, MY WOMAN. The crunchier, blown-out production of the former is gone, but that fire is now burning wilder. Her disarming, timeless voice is even more front-and-centre than before, and the overall production is lighter. Yet the strange, raw power and slowly unspooling incantations of her previous efforts remain, so anyone who might attempt to pigeonhole Olsen as either an elliptical outsider or a pop personality is going to be wrong whichever way they choose – Olsen continues to reign over the land between the two with a haunting obliqueness and sophisticated grace.
Given its title, and track names like ‘Sister’ and ‘Woman’, it would be easy to read a gender-specific message into MY WOMAN, but Olsen has never played her lyrical content straight. She explains: “I’m definitely using scenes that I’ve replayed in my head, in the same way that I might write a script and manipulate a memory to get it to fit. But I think it’s important that people can interpret things the way that they want to.”
That said, Olsen concedes that if she could locate any theme, whether in the funny, synth-laden ‘Intern’ or the sadder songs which are collected on the record’s latter half, “then it’s maybe the complicated mess of being a woman and wanting to stand up for yourself, while also knowing that there are things you are expected … to ignore, almost, for the sake of loving a man. I’m not trying to make a feminist statement with every single record, just because I’m a woman. But I do feel like there are some themes that relate to that, without it being the complete picture.”
Saturday Night, the first proper solo album from Tim Darcy (Ought), comes from one of those crossroads-type moments in life where one has to walk to the edge before knowing which way to proceed. Darcy actually almost bailed on the session at the start of day one, but was thankfully convinced to make the jump and record a crop of songs he had been amassing over the years–an initial set, curated from a much wider catalogue of young songs. A personal meditation reveals itself across these songs as you feel a poetic, thoughtful person attempting to reconcile a schism, one that grows more expansive as Saturday Night flows along. It is a journey, but it’s a really fun, gratifying one; like a poem where you’re not supposed to know exactly how to feel at that last line and you’re left just bursting with a wonderful emptiness.
As this is, in a way, a more personal introduction to Darcy despite the attention and acclaim he has with Ought, it feels worthwhile to mention his origins. Born in Arizona, he made his way to both Colorado and New Hampshire before ending up in Montreal where he found university, the city’s rich DIY scene, and the other members of Ought. He began writing poetry as early as the third grade and performed often, and his first attempts at songwriting were him feeling around in the dark to set some of them to music. In Montreal, he played in various projects, his and others, before settling into a groove as the singer and guitarist of Ought.